Louis Proyect: The Unrepentant Marxist

February 8, 2010

J.D. Salinger

Filed under: literature — louisproyect @ 2:10 pm

The latest issue of Swans has brief reflections on his passing. Mine is below, all the rest can be read at http://www.swans.com/.

A Lesser Impact, With a Market — by Louis Proyect

I read The Catcher in the Rye in 1961 as a Bard College freshman. By then, I was a full-fledged member of the post-beat subculture and had been initiated to its A-list novelists and poets, from Jack Kerouac to Herman Hesse. As such, I found myself a bit underwhelmed by this tale of an alienated prep school student. While I had drunk from the bitter well of alienation myself, it was difficult to identify with such a scion of privilege.

Franny and Zooey made even less of an impact. Even though I was becoming more and more intrigued with Eastern religion, as we called it back then, I found the characters’ spiritual yearnings even more difficult to identify with than Holden Caulfield’s flight from “phoniness.” Looking back at the characters with hindsight, I suppose that I was put off by their narcissism. Indeed, I reacted to Salinger in much the same way I reacted to Woody Allen’s “serious” movies. Spiritual yearnings and neurotic tics do have a way of making me look at my watch. All that being said, nobody can deny Salinger’s ongoing influence. For as long as there are alienated teenagers, there will be a market for Salinger’s prose.

2 Comments »

  1. The late film maker John Hughes obviously tapped into this 17 year old alienation market in the mid 80s with his succession of hit teen angst genre films but interestingly enough the newly released documentary DON’T YOU FORGET ABOUT ME on Hughes’ life did not explore this influence that Salinger undoubtedly had on Hughes.

    Comment by Karl Friedrich — February 8, 2010 @ 2:49 pm

  2. PS: Salinger’s disturbing hit short story “A Great Day For Bannana Fish” as well as his ideal carreer in “Catcher in the Rye” (catching children falling off a cliff while playing in a field of rye) always struck me as an allegory for pedophilia and the manic depressive feelings in both stories derived from the guilt associated with such thoughts.

    Comment by Karl Friedrich — February 8, 2010 @ 2:56 pm


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